I adore Christina Henry’s Chronicles of Alice, as you can see in my reviews of Alice and Red Queen. Though I enjoy her other fairy tale retellings as well, Alice has always been my favorite. So I was extremely excited to hear that a third book, Looking Glass, was in the works. Looking Glass rounds out the story of Alice and Hatcher completely and gives them the ending they deserve.
Publisher’s Description: IN FOUR NOVELLAS, CHRISTINA HENRY RETURNS TO THE WORLD OF ‘ALICE’ AND ‘RED QUEEN’, WHERE MAGIC RUNS AS FREELY AS SECRETS AND BLOOD.
In the New City lives a girl with a secret: Elizabeth can do magic. But someone knows her secret – someone who has a secret of his own. That secret is a butterfly that was supposed to be gone forever; a butterfly that used to be called the Jabberwock. . .
GIRL IN AMBER
Alice and Hatcher are just looking for a place to rest. Alice has been dreaming of a cottage by a lake and a field of wildflowers, but while walking blind in a snowstorm she stumbles into a house that only seems empty and abandoned. . .
WHEN I FIRST CAME TO TOWN
Hatcher wasn’t always Hatcher. Once, he was a boy called Nicholas, and Nicholas fancied himself the best fighter in the Old City. No matter who fought him he always won. Then his boss tells him he’s going to battle the fearsome Grinder, a man who never leaves his opponents alive. . .
THE MERCY SEAT
There is a place hidden in the mountains, where all the people hate and fear magic and Magicians. It is the Village of the Pure, and though Alice and Hatcher would do anything to avoid it, it lies directly in their path. . .
Invested Ivana says…
Story: There are four novellas in Looking Glass that make for perfect bookends to the Chronicles of Alice.
When I First Came To Town is a flashback story of Hatcher’s past, giving the reader a sense of who was before and how he became to be Hatcher. Lovely Creature gives the reader a sense of what happened to Alice to land her in the hospital where she met Hatcher.
Then Girl in Amber and Mercy Seat wrap up the story of Alice and Hatcher, bringing them to their (what we assume is) a happy ending.
As with Alice and Red Queen, the story is mesmerizingly horrible and beautiful at once. The voice in which Henry paints Alice’s twisted world is, in contrast, sweet and innocent. That contrast is what makes the story feel like a magical, misty fairy tale – lovely and dark at the same time.
Narration: Jenny Sterlin’s performance perfectly captures that sweet, innocent voice that makes this series so fascinating. I don’t believe I’ve listened to any of Sterlin’s other audiobook performances, but I have Sorcerer To The Crown on my TBR list, so I just might listen to that one soon. She is an amazing performer.
Gildart Jackson narrates Hatcher’s story perfectly, bringing to it that same sense of innocence as Alice has along with helping of young male bravado. Jackson already has my devotion as the voice of Alex Verus, of course. He’s a fantastic performer with a huge catalog of audiobooks and does a fantastic job in every one that I’ve heard.
Overall: I’m so glad to have this book as part of the Chronicles of Alice. Seeing both the character’s origins and their story’s ending makes the tale feel complete. Stories told in that beautifully dark way aren’t all that common, so I treasure the ones I find.
So, remember a few weeks ago when I posted the official Jim Butcher schedule for re-reading the Dresden Files novels plus all the short works in preparation for Peace Talks and now Battle Ground this summer and fall? That schedule has us reading one of fifteen novels each week plus all the shorter works that fall in chronological order between them, between January and August.
Yeah… Percy and I finished the entire re-read before March was over. All the novels. All the novellas and shorts. All the graphic novels that are unique stories.
We couldn’t help it! The series is SO good that neither one of us wanted to slow down!
Thanks to Side Jobs and Brief Cases, just about all of the novellas and shorts are in audiobook format, so if I could find a short work in audio, I listened to it. Since this was hardly my first read of any of the works and not the only body of work I know James Marsters from, I’m probably as intimately familiar with Marsters’s voice as I am my husband’s. Fandom is a weird one-way intimate relationship, isn’t it? Marsters does such an excellent job as Harry and all the other characters that when some of the shorts in Brief Cases aren’t read by him, I get cranky. The ones read by others are told from a POV other than Harry’s, so I understand the logic. But Marsters has established the voices for every character so well that I just can’t help feeling a bit of dissonance.
Percy (my husband) and I don’t often read the same books at the same time, so even though he raced ahead of me (he read in ebook), it was quite fun to talk about the story and our observations as we made our way through the series.
So often, our conversations centered on what a thug Harry was being. Far too often, he is exactly the kind of arrogant, dangerous wizard the world thinks all wizards are. He resorts to force or threats before he tries diplomacy, and he thinks he alone must save the world because no one else really cares. And so often, even when you know he should know better, he tries to protect people by keeping them in the dark, which never seems to work out well.
Though it can be easy to argue with his methods, it’s harder to argue with his morals. He does mean well, which the reader knows because we’re inside his head, but his experience and perspective are narrow compared to many of the other wizards he interacts with. The wizards with more life experience are more familiar with “unintended consequences” of rash actions and factor that into their decision making, whereas Harry is more likely to see the morality of the here-and-now and want to do something, anything, to fix it.
Being very familiar with the story by now, we found a couple of places where a character just spits out the answer, or at least a hint, to a question we as readers have been asking for a while. But it seems like a throw-away line because Harry never reacts to it, and as new readers, it’s hard to recognize the significance of it. But as familiar readers, it’s like a lightning bolt of understanding. X-files did something similar; on a rewatch, you realize you got all the answers you needed in the very first episode. So now I’m even more interested to see if and how those answers get to Harry in the upcoming books.
It’s been hard waiting for Peace Talks. We have our pre-orders ready and are chomping at the bit. But I know the wait will be worth it.
This new series by Charlaine Harris imagines an alternative history for the United States that evokes a dystopian Wild West feel.
Publisher’s Description: Set in a fractured United States, in the southwestern country now known as Texoma. A world where magic is acknowledged but mistrusted, especially by a young gunslinger named Lizbeth Rose. Battered by a run across the border to Mexico Lizbeth Rose takes a job offer from a pair of Russian wizards to be their local guide and gunnie. For the wizards, Gunnie Rose has already acquired a fearsome reputation and they’re at a desperate crossroad, even if they won’t admit it. They’re searching through the small border towns near Mexico, trying to locate a low-level magic practitioner, Oleg Karkarov. The wizards believe Oleg is a direct descendant of Grigori Rasputin, and that Oleg’s blood can save the young tsar’s life.
As the trio journey through an altered America, shattered into several countries by the assassination of Franklin Roosevelt and the Great Depression, they’re set on by enemies. It’s clear that a powerful force does not want them to succeed in their mission. Lizbeth Rose is a gunnie who has never failed a client, but her oath will test all of her skills and resolve to get them all out alive.
Possible spoilers beyond this point.
Invested Ivana says…
I’m never quite sure how I will react to the first book in a new series. Sometimes I adore it, sometimes I feel more cautious. It all depends on how invested I feel in the new world and characters.
With An Easy Death, I feel reserved, though I enjoyed it quite a lot. I was quite invested at the start of the book, where Harris shows us Lisbeth’s day-to-day life. Then that life is taken away from her, introducing the conflict in the story. Maybe that made me a bit gun-shy.
Eli and Pauline, the other two primary characters, aren’t ones I feel easy with. I’m not supposed to, as the reader, as Lisbeth isn’t herself. She’s never sure of their trustworthiness and intentions. But she has to work with them anyway to fulfill her contract and protect herself.
Since the book is told from Lisbeth’s perspective, perhaps I feel reserved because we know very little about Eli’s world, even though it has the potential to affect Lisbeth greatly. It will be interesting to see if future books let Lisbeth explore the world of the Russian wizards, or if she’ll have more adventures in the former southern US.
Though I feel reserved about the start of this series, I am looking forward to seeing where it goes. 4 Stars.
Laura Resnick (author) and GraphicAudio have teamed up to create the Esther Diamond series audios, and it’s a fantastic pairing! If you like full-production audiobooks, you don’t want to miss this series!
I am so excited about the Esther Diamond series’ audiobooks being produced by GraphicAudio! They are fantastic. Try it out for yourself with this sample.
I’m gonna break this Series Spotlight down into two sections: one to talk about the series and one to talk about the audio production because they both deserve their own spotlight.
Esther Diamond is a struggling New York actress. While working on an off-broadway play as a chorus nymph and understudy to the female lead, the lead actress disappears.
Enter Maximillian Zadok, a 350-year-old wizard, stationed in New York by the Magnum Collegium to fight mystical evil. Max implores Esther not to take up her understudy duties for fear she will go missing, too. Once Max convinces Esther that there is mystical evil afoot, Esther rushes to help Max find and stop the culprit before she becomes the next victim.
Meanwhile, the lead actress’s disappearance is also being investigated by Detective Connor Lopez, a sexy Latino with blue Irish eyes. Lopez finds Esther intriguing and would like to get to know her better. Unfortunately, Lopez doesn’t believe in mystical evil, even though Esther’s tried to tell him that it exists. While he is strongly drawn to Esther, he fears she’s unstable, dangerous, and possibly felonious. Their involvement complicates his life and jeopardizes his job, but he has trouble staying away.
During their adventures, Esther, Max, and a number of their friends encounter evil sorcerers, demons, voodoo loa, zombies, vampires, spirits, cursed objects, missing corpses, mob hit men, death omens, drag queens, entitled young adults, harried production assistants, and narcissistic actors. The mysteries are intriguing and well written, but I think it’s the main characters that really shine in the series. They are complex and layered, unique and intriguing, each with their own secrets that are slowly revealed over time.
This series has magic, mystery, and adventure, but it also has humor, friendship, and relationship tension (not everything is rosy in this romance) that builds with each book. It’s more glossy than gritty, on the lighter side of urban fantasy, but the protagonists have depth, and it’s easy to care about them. I highly recommend the series for a fun urban fantasy read.
If you’re not an audiobook fan, you can find the Esther Diamond series in digital and print formats at your favorite online retailer.
I’ve mentioned on this blog before how awesome I think GraphicAudio is. They make audiobooks into full-production masterpieces. They’re essentially radio-plays, for those of us who are old enough to have heard of those. There is a full cast of characters, so the voices are all different and the “he said” and “she said” of regular audiobooks aren’t needed. There’s music and sound effects in all the right places, which enhance the story greatly. As a big fan of audiobooks, I absolutely adore these productions. They are just so much fun!
Graphic Audio did a FANTASTIC job with the Esther Diamond series. I cannot imagine a better casting of voices, especially Colleen Delany as Esther Diamond, Thomas Keegan as Detective Connor Lopez, Bob Payne as Maximillian Zadok, and Tim Carlin as Lucky Battistuzzi. The voice acting is fantastic and really conveys the character personalities and emotional content of the story. The GraphicAudio actors bring each character completely to life in a way that only the very best voice actors can in regular audiobooks.
The background music and sound effects add such depth and dimension to the story that you really do feel as if you are listening to a movie. It’s that much easier to feel the tension of being stalked when you can hear the footsteps behind you, or to visualize a street fight when you can hear the impact of fists, the grunts of the combatants, and the splash of blood on pavement.
I don’t think I’m capable of expressing just how emotionally involved I feel when listening to GraphicAudio productions. It is an amazing medium for some genres, and I really encourage authors, particularly indie sci-fi and fantasy authors, to consider GraphicAudio for their books before any other audiobook company. Your listeners will experience a much richer version of your creation than I think you’ll find elsewhere.
A rich creation is exactly how I’d describe the Esther Diamond series on GraphicAudio. Five stars for this superb production.
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GraphicAudio boasts a number of sci-fi and fantasy series by well-known authors such as Piers Anthony, Stephen Blackmoore, Peter David, Alan Dean Foster, Simon R. Green, Charlaine Harris, Jim C. Hines, Cherie Priest, Stephen Lawhead, Kelly McCullough, Ari Marmell, Elizabeth Moon, Michael Moorcock, Lilith Saintcrow, R.A. Salvatore, Brandon Sanderson, Michael J. Sullivan, Brent Weeks, and Eileen Wilks. They also have a number of audio adaptations of both Marvel and DC comics.
Welcome to my Sunday book hunt and author gossip. Keep coming back for updates on book releases and news from favorite authors.
Today will be all about Jane Yellowrock. I don’t know what I will do when the series is done. I imagine I’ll just read it again…and anything else that comes from Jane’s author. I love Faith Hunter’s writing. I love the characters that she develops and the story is like an action adventure movie!
The story is Jane trying to get Wrassler and Jodi together for a date. Bruiser, Jane, Eli and Syl went along to complete the “triple date”. You’d think this would be simple. Yeahhhh…..right.
Now, I’m sure ya’ll want to know why I have the cover of Dark Queen posted. Well, crew, I was lucky enough to get permission from Ms. Hunter to post the first chapter in Dark Queen, #12 in the Jane Yellowrock series. Remember, this book is released on May 1, 2018. The European vamps are coming for the big assemblage and you KNOW that if Jane can’t make it through a date (see above story) without something going wrong, you know that this confab will not be simple…nope, not simple at all since the fate of all rest on Jane’s shoulders.
*I Killed the Only U’tlun’ta in NOLA*
I had been in my bed for all of one hour, and though the scent of Bruiser from the sheets and from his boxing gloves tied to my bedpost usually filled my head with calm, today his personal aromatherapy wasn’t working. I had rolled over half a dozen times trying to find a comfortable spot. Now the covers were twisted around me, my hair was tangled in a knotted mess, trapping me, and I was ready to explode. I resorted to punching my pillows in growing irritation, not that it helped. “I should give up and find something else to punch. Someone else to punch,” I muttered, thinking of Leo Pellissier, the Master of the City of New Orleans.
My attitude was so bad that my Beast retreated into the deeps of my mind to get away, her paws padding in a jog. “Coward,” I snarled at her. Being two-souled wasn’t easy for either of us.
A soft knock sounded at the front door. Tap, tap, tap, tap. Tap, tap, tap, tap. The first tap in each repetition more forceful than the others, but barely loud enough to hear through the closed bedroom door. Maybe a preacher. Or a steak salesman. Beast stopped and looked back at me. Excitement zinged through her. Man who sells meat? Cow at door?
I chuckled internally. Could be, I thought back at her. Or a proselytizing vacuum cleaner salesman. Did vac salesmen even exist now?
Is vacuum good to eat? Or salesman? Both? she added hopefully.
The knocking came again, a bit louder. Tap, tap, tap, tap. Tap, tap, tap, tap. It was a rhythm that Aggie One Feather, my Cherokee Elder, might have drummed. My partner and soon-to-be adopted brother Eli hadn’t answered the door, and I could hear shower water upstairs. I grinned and I was pretty sure I was showing teeth. Lots of teeth. I wondered if they were all mine, but I didn’t really care. I was sleep deprived and ornery and if this was some vamp’s minions calling to cause trouble about the arrangements for the upcoming Sangre Duello, that might actually make my day. I could use a good fight. A blood challenge to the death between Leo and the European emperor and all their pals would surely provide that, but until then, I had the knocking visitor.
I threw off the covers and twisted my long black hair back in a knot. In the black yoga pants and black T-shirt, I looked like a ticked-off ninja. I picked up a fourteen-inch-long vamp-killer I kept on the nightstand and tore open the bedroom door. The knob slammed into the wall behind as I reached the foyer. Eli stopped on the stairs behind me, shower-wet, a weapon at his side. My partner in protect mode. I shared my grin at him and his brows lifted, an infinitesimal gesture that meant loads for the former (and forever) Army Ranger. I didn’t bother to try to figure out loads of what. I peeked out the front, through the tiny slice of clear glass in the layers of bullet-resistant and stained glass window.
On the other side of the door stood a man, facing the street. He was tall, lean, maybe six feet three. Straight black hair hung long, down his back to his hips. Golden skin showed at his clean-shaven jaw, which looked tight with frustration. He was wearing black slacks and black blazer jacket. A white dress shirt collar showed from this angle and he was wearing polished leather cap-toe oxford shoes, what my boss, the Master of the City and walking, talking fashion plate, called a Balmoral. Imported shoes.
It griped my goat that I knew all that. Just another useless thing I had learned hanging around vamps. Another way they had changed me and my life. My irritation flamed.
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