Christina Henry continues her series of fairytale-inspired retellings with The Mermaid, the grown-up version of The Little Mermaid for cynical adults.
Publisher’s Description: Once there was a mermaid who longed to know of more than her ocean home and her people. One day a fisherman trapped her in his net but couldn’t bear to keep her. But his eyes were lonely and caught her more surely than the net, and so she evoked a magic that allowed her to walk upon the shore. The mermaid, Amelia, became his wife, and they lived on a cliff above the ocean for ever so many years, until one day the fisherman rowed out to sea and did not return.
P. T. Barnum was looking for marvelous attractions for his American Museum, and he’d heard a rumor of a mermaid who lived on a cliff by the sea. He wanted to make his fortune, and an attraction like Amelia was just the ticket.
Amelia agreed to play the mermaid for Barnum, and she believes she can leave any time she likes. But Barnum has never given up a money-making scheme in his life, and he’s determined to hold on to his mermaid.
Possible spoilers beyond this point.
Invested Ivana says…
The Mermaid is a grittier, and probably more accurate, tale of the famous P.T. Barnum than The Greatest Showman, though he isn’t the main protagonist. The central character is Amelia, a mermaid whose curiosity drove her to land. The first part of her life on land is somewhat idyllic. But the later part is full of heartache.
I am absolutely in love with Henry’s retellings of Alice in Wonderland (Alice and The Red Queen). So I expected a lot from The Mermaid. But, while it was a good story and a great audio performance, the story wasn’t quite as dazzling for me. Amelia, the mermaid, gets screwed over by men, and is even somewhat complicit in her own screwing over, though she finds her own strength in the end. I think it’s just not quite as novel a story as Alice — a woman getting screwed over by men is an all-too-familiar story these days.
In Alice, I also enjoyed seeing all the elements of the original story that Henry reinterpreted in her grittier version. That part was missing in The Mermaid, though not through any fault of Henry’s. I haven’t read the original H.C. Anderson version of The Little Mermaid, so if there were reinterpretations, I wasn’t aware of them. But I suspect there aren’t as many quirky characters and images as in Carroll’s tale.
Despite those subjective observations, there is nothing bad about the book. The story is well-written and interesting. The characters are believable and sympathetic. I’d recommend it to fans of The Greatest Showman who want a better taste of what P.T. Barnum was really like.