After twelve books, or sooner, many series start losing steam or going off in bizarre directions that make readers lose interest. But while reading the latest October Daye tale, I kept thinking that, even though the major plot event was superficially the same as in a previous book, McGuire has a way of building tale upon tale so that every installment is new, fresh, exciting, and leaves me sad the next book is a year away.
Publisher’s Description: Things are not okay.
In the aftermath of Amandine’s latest betrayal, October “Toby” Daye’s fragile self-made family is on the verge of coming apart at the seams. Jazz can’t sleep, Sylvester doesn’t want to see her, and worst of all, Tybalt has withdrawn from her entirely, retreating into the Court of Cats as he tries to recover from his abduction. Toby is floundering, unable to help the people she loves most heal. She needs a distraction. She needs a quest.
What she doesn’t need is the abduction of her estranged human daughter, Gillian. What she doesn’t need is to be accused of kidnapping her own child by her ex-boyfriend and his new wife, who seems to be harboring secrets of her own. There’s no question of whether she’ll take the case. The only question is whether she’s emotionally prepared to survive it.
Signs of Faerie’s involvement are everywhere, and it’s going to take all Toby’s nerve and all her allies to get her through this web of old secrets, older hatreds, and new deceits. If she can’t find Gillian before time runs out, her own child will pay the price. One question remains:
Who in Faerie remembered Gillian existed? And what do they stand to gain? No matter how this ends, Toby’s life will never be the same.
Possible spoilers beyond this point.
Invested Ivana says…
The best series in book, television, movie, or game form are more than just a string of individual adventures. Each installment builds on the previous one, expanding the world, deepening our understanding of and investment in it, and dealing with the consequences of our characters’ previous actions.
The October Day series is one of the best examples of this type of series. Each book brings us new characters (without ignoring the characters we already know and love), reveals more history, and uncovers more secrets. It’s like the “fog of war” in a video game, but instead of revealing the map, it’s revealing history—history that is connected to actions, characters, and events in previous books.
I kept returning to that thought as I read Night and Silence—at how amazing it is that McGuire keeps calling on what we know of the history of October’s world and experience to inform what happens in each book. And how it never feels old or stale to me. It feels like a natural progression.
Occasionally, a seemingly-random piece of new information is introduced, such as Gillian’s step-mother’s history. But it fits so well into the world that you wonder just how random it is, or if the author planned for it all along. Those are the big surprises that can throw the plot into completely new directions and open up a whole new “can of worms” and the potential for new stories.
I’m very excited by the potential future stories made possible by the end of Night and Silence. We’ll get to see a whole new side of October and invest in a completely new character. I also feel like we’re witnessing the emergence of a “new generation” (in a manner of speaking) of influential persons in Faerie that might be leading toward major societal changes.
Or I could be projecting my own hopes for our world onto October’s.
In any case, Night and Silence is yet another fabulous installment in the October Daye series that pulls on history and consequence to keep me interested and invested. 5 stars.
The October Daye series is certainly in the top tier of urban fantasy, along with the Dresden Files, the Iron Druid Chronicles, the Mercy Thompson series, the Otherworld series, the Hollows series, and the Novels of the Others. If you haven’t read any of these series, I’d suggest you do so at the first opportunity.