Publisher’s Description: Robert Langdon, Harvard professor of symbology and religious iconology, arrives at the ultramodern Guggenheim Museum in Bilbao to attend a major announcement—the unveiling of a discovery that “will change the face of science forever.” The evening’s host is Edmond Kirsch, a forty-year-old billionaire and futurist whose dazzling high-tech inventions and audacious predictions have made him a renowned global figure. Kirsch, who was one of Langdon’s first students at Harvard two decades earlier, is about to reveal an astonishing breakthrough . . . one that will answer two of the fundamental questions of human existence.
As the event begins, Langdon and several hundred guests find themselves captivated by an utterly original presentation, which Langdon realizes will be far more controversial than he ever imagined. But the meticulously orchestrated evening suddenly erupts into chaos, and Kirsch’s precious discovery teeters on the brink of being lost forever. Reeling and facing an imminent threat, Langdon is forced into a desperate bid to escape Bilbao. With him is Ambra Vidal, the elegant museum director who worked with Kirsch to stage the provocative event. Together they flee to Barcelona on a perilous quest to locate a cryptic password that will unlock Kirsch’s secret.
Navigating the dark corridors of hidden history and extreme religion, Langdon and Vidal must evade a tormented enemy whose all-knowing power seems to emanate from Spain’s Royal Palace itself… and who will stop at nothing to silence Edmond Kirsch. On a trail marked by modern art and enigmatic symbols, Langdon and Vidal uncover clues that ultimately bring them face-to-face with Kirsch’s shocking discovery… and the breathtaking truth that has long eluded us.
Possible spoilers beyond this point.
Agent Annie says…
I had quite given up on Dan Brown books after not enjoying The Lost Symbol. In fact, I never even read Inferno, but for some reason, I picked up Origin, probably because the cover had a chambered nautilus on it.
It turns out that’s fitting because, in my opinion, it was the best thing about the book. Not only did the nautilus represent a specific piece of artwork in the Guggenheim museum in Barcelona, Spain, but also the golden ration and the idea of infinite love and the perfection of the universe.
I know, that’s deep, but I think that is what Dan Brown has done with this book. It didn’t feel like an action thriller in the same way that DaVinci Code and Digital Fortress did. It was more like Brown’s commentary on religion versus science. Dan Brown is obviously on the side of science, but very strongly included in that is Love. One of the beautiful quotes in the book is a prayer that the character Edmond Kirsch wrote:
May our philosophies keep pace with our technologies.
May our compassion keep pace with our powers.
And may love, not fear, be the engine of change.
I like that Robert Langdon is starting to show his age and had a harder time keeping up with the “damsel in distress,” Ambra Vidal, who is a decade or two his junior. There were some very tender moments when Langdon feels a closeness to Vidal that is more fatherly than romantic. That’s a nice change from the typical action hero lover persona that is a part of so many thrillers today. In fact, Ambra Vidal even says to herself towards the end of the story,
“[She] suddenly understood what Edmond had been saying about the energy of love and light… blossoming outward infinitely to fill the universe. Love is not a finite emotion. We don’t have only so much to share. Our hearts create love as we need it… Love truly is not a finite emotion. It can be generated spontaneously out of nothing at all.”
I give this book 4 stars because Dan Brown found a way to use an action-packed thriller to convey the message that Love is Universal. I also really enjoyed learning more about the art and architecture in Spain. I found myself looking things up on the internet and trying to see pictures of these amazing buildings and works of art. I hope the publishers create an edition that has hyperlinks or references or color illustrations like they did with DaVinci Code.